It's something I've been working on for about two years and I just finished doing the inking about three days ago, so I'm pretty excited.

It'd be interesting if you had to find a record for everything you had to say. But I think that whole talking code thing is great.

I think that for a long time it scratching was sort of frowned upon within music because people didn't understand that there was a craft involved.

You can say battle or war or whatever, but in the end, it's music. It's not really violent in intent at all, it's really just about expression and celebrating that in itself.

When the generation after me started getting on the cut, a lot of them would call me over to hang out or go jam and scratch and they were always separate from each other.

When I'm playing with the band or playing with some projects or some of my own stuff it's about the musical approach. That would be the more turntablist approach to things of where it's strictly about music.

Playing with decks, for me, has always been about trying new things. I make it a point to keep trying different things, keep pushing it a little bit at a time.

We're on tour to kind of explain why we do what we do, how its done and how we put it together.

I'm not here to battle anybody. In the end it's just an instrument. That shouldn't be a concept.

Even though you were radiated doesn't mean you get to have that sort of power.